連結
2007
油畫，170 x 226 cm x 4
《連結》系列作品探討基督教信仰中對靈性、救贖與天堂觀的想像，並嘗試將這些抽象概念轉化為具象的繪畫語言。在畫面結構上，我以水平的方式將空間隱約劃分為三個不等的層次，對應《神曲》中所描述的三重宇宙結構──天堂、煉獄與地獄。隨著視線向上移動，畫面亦逐漸轉向明亮與純淨，暗示一段由塵世向神聖之境遞進的旅程，構築出本系列作品的精神性背景與空間敘事。
〈連結-2〉則挪用義大利中世紀畫家喬托（Giotto di Bondone, ca.1267–1337）位於巴都瓦（Padua）小教堂內《哀悼基督》壁畫中的局部圖像。畫中原本盤旋於上方、表現哀悼的十位小天使，以單槍投影至畫布的方式去除身體，僅保留震動翅膀的形象。這些翅膀穿梭於畫面之間，化為一種無形卻流動的靈性象徵，使畫面呈現出介於現實與超越之間的靜默張力。
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Connection
2007
oil on canvas, 170 x 226 cm x 4
The Connection series explores themes of spirituality, redemption, and the vision of paradise within the context of Christian faith, transforming these theological concepts into painterly form. The composition is subtly divided into three unequal horizontal sections, echoing the structure of the three realms—Heaven, Purgatory, and Hell—as described in Dante’s Divine Comedy. As the eye moves upward across the canvas, the imagery becomes increasingly purified and luminous, suggesting a spiritual ascent toward the divine. This vertical journey serves as the conceptual and spatial foundation of the series.
Connection-2 references a detail from the Lamentation of Christ fresco by the Italian medieval painter Giotto di Bondone (ca. 1267–1337), located in a small chapel in Padua. I appropriate the ten angels originally shown mourning above the scene, projecting their images onto the canvas and erasing their bodies, leaving only their fluttering wings suspended in space. These disembodied wings weave through the pictorial plane, becoming intangible yet dynamic symbols of spiritual presence. The result is a quiet tension between the earthly and the transcendent.
Connection-1, oil on canvas, 170 x 226 cm
Connection-2, oil on canvas, 170 x 226 cm
Connection-3, oil on canvas, 170 x 226 cm
Connection-4, oil on canvas, 170 x 226 cm
