飛逝的影
手稿，依場地佈置
2014，比利時全麻，100x270 cm
「他不過像一口氣息；他的歲月像飛逝的影兒。」
詩篇 144:4
我以旅行中移動的空間與所見地景作為創作關注的核心。透過搭乘大眾交通工具移動的經驗，以車窗作為觀景框架，將沿途所見的風景轉化為記憶與想像，再以大量手稿與繪畫進行捕捉與轉譯。
此次於台東的現地創作，以遊覽車內晃動的身體感為出發點，並以車窗為觀景窗，觀察光影在移動中的微妙變化。我使用100張10x27公分的描圖紙作為手稿素材，描圖紙的半透明與模糊性質，讓每一張稿件在層層疊加中逐漸構築出一幅記憶與想像交錯的風景。最終，我擷取這100張手稿重疊後的視覺痕跡，重新編排、轉化並重組於畫布之上。
此作品延續我對「以記憶進行寫生」的探索，同時持續發展我繪畫中一貫關注的層疊性、透明感，以及覆蓋後所遺留下的視覺殘影與時間痕跡。
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a passing shadow
2014
We are like a puff of wind, our days are like a passing shadow.
Psalm 144:4
My artistic practice centers on the experience of movement through space and the shifting landscapes encountered during travel. By observing the scenery outside the window while riding public transportation, I translate fleeting views into memory and imagination, which are then developed through a large number of sketches and paintings.
This site-specific project, created in Taitung, draws from the bodily sensation of swaying inside a tour bus and frames the view through the vehicle’s window as a moving lens. I observed the subtle shifts of light and shadow in motion, using 100 sheets of 10 x 27 cm tracing paper as the basis for my sketches. The translucent and slightly blurred quality of the tracing paper allows for a layered accumulation, gradually constructing an imagined landscape shaped by memory. From this stack of 100 overlaid sheets, I selected and reassembled fragments to form a new composition on canvas.
This work continues my exploration of drawing from memory and further develops key visual elements in my painting practice—layering, transparency, and the residual traces left behind by overlapping images and the passage of time.
飛逝的影
2014，描圖紙、比利時全麻，複合媒材
100 x 270 cm
a passing shadow
2014, Tracing paper, Belgian linen, mixed media, 100×270cm
飛逝的影
2014，描圖紙、比利時全麻，複合媒材，依場地佈置
a passing shadow
2014, Tracing paper, Belgian linen, mixed media, 100×270cm
a passing shadow （detail）
a passing shadow （detail）
